Plays
THE LOVE OBJECT
On the eve of Ramona’s sold-out stadium tour, her best friend and trusted assistant, Paula announces she is leaving to pursue her own artistry. Fearing the loss of her closest confidante, Ramona reveals that a sex tape she made is about to be released, tainting her image (and ticket sales) forever. Will Paula stay and clean up Ramona’s mess one more time or finally escape the oppressive celebrity machine for good? A contemporary adaptation of Euripides’ Hippolytus, the love object examines the hypersexualization of women celebrities, the power struggles of interracial friendship, and the tragedies of late-stage capitalism, all through the bubblegum veneer of an early 2000s pop superstar.
Welcome to The Galas, a chaotic, comedic, centuries-spanning two-hander about the performance of raising money for scientific research. We need your generous support. Donate now. and now. and now.
IN SISTERS WE TRUST, OR MY FUCKED UP AMERICAN GIRL DOLL PLAY
The American Girl Dolls are all grown up and gathered together for a televised Bachelor-style reunion to decide the fate of the company. But suddenly, the girls start disappearing; something glitches and we’re thrown into a glossy feminist co-working space on the brink of expansion. The progressive women at the helm are still perpetuating age-old oppressive practices, now just in a shade of millennial pink. In Sisters We Trust, or My Fucked Up American Girl Doll Play investigates how corporate feminism is repeating and rebranding mistakes of the past instead of finding new pathways to empowerment.
YELLOW LIGHT
A psychic from Florida scams an elderly heiress suffering from Alzheimer’s. A play about possession, possessions, and what belongs to whom.
THERE ARE PEOPLE THAT ARE DYING
A diamond earring falls out. A family endures. Keeping Up With The Kardashians might just be King Lear. Co-written with Elizabeth O’Donnell.
The boss is hiring a new assistant. Sarah is out. Jenny is in. Oh and Sarah is a doormat.
Film
A CONVERSATION ABOUT TENNIS
A short film about the 2018 US Open, art-making, gender, how we talk about certain things, and avoid talking about other things. Directed & co-written with Hannah Celli.
